Linktree | Facebookl | Instagram

For all press inquiries, please contact:
Jacqueline Varsalona
 on behalf of Kid Davis & the Bullets

TheBulletsDE@gmail.com | www.kiddavisandthebullets.com

Kid Davis & the Bullets Biography

On stage in their native region, Kid David & the Bullets are a recognizable force.
A constant on the music scene through phases and fads, this roots rock outfit has honed a consistent, timeless sound that speaks of the shared human experience and conveys the soul and emotion of its art with clever storytelling and impressive musicianship.

Outside their usual touring circuit, the band sees opportunities to grow, connect with new audiences and continue its musical evolution. Recent music festival invitations and performances in Europe have introduced thousands of new fans to what the Mid-Atlantic already knew: this is a band of committed, motivated musicians, with the songwriting talent and musical ability to back up their ambitions. Their forthcoming studio release Amsterdam further reinforces this and cements their place as heirs to the great American songbook.

Having gained experience and focus in local blues & bluegrass outfits, The Bullets’ bandleader Michael “Kid” Davis took his varied Americana influences (Los Lobos, The Blasters, Little Feat, among many) and assembled a band to refine his vision of what roots rock could be. That vision: weaving all forms of American music into a poetic soundtrack to the American Dream.

Across changes in sound, instrumentation and personnel, the band’s output has reflected its desires—and those of its audience. From the twangy optimism of “Someday a Cowboy” and “Nashville Bound” on 1991’s Like Cowboys Do, to the heartbreak of “I Taught Her Everything” and “I Might Dream About You” from 1994’s Live – Invade the Brigade, to the darker turns of “Wanted Man” and “Tell Me Something I Don’t Know” on 2017’s Let’s See Where This Goes, the songs trace a winding but deliberate path. There is always a nod to their origins and antecedents—“Ghost of Patsy Cline” (1991) and “Jazz Cats With Cowboy Hats” (forthcoming) being prime examples.

Along the route, these troubadours have earned many accolades, including recent induction into the Delaware Rock & Roll Society Hall of Fame, a current sponsorship from renowned beer brand, Stella Artois, and invitations to perform at festivals in the Netherlands & Belgium. And this is just what they seek– to share their blend of hope, satire and musical abandon beyond their home turf, to all who would benefit.

This has always been their goal. Multiple studio and live releases showcase the stories and influences the band has shaped to become their singular sound. Industry support – from GHS Strings, Anheuser-Busch, regional radio and independent labels – has garnered them praise in print and opportunities to share the stage with legends and luminaries such as Brian Setzer, Richard Thompson, David Bromberg, Ricky Skaggs, Kelly Willis, Dick Dale and more. Performance highlights include invitations to play some of the more storied venues on their circuit, including The Birchmere (Washington DC) and legendary Philly stages such as The Trocadero, JC Dobbs and the Cabarets.

Beyond the stage, Kid Davis & the Bullets have long supported causes close to home. They’ve performed for more than a decade with the Light Up the Queen Foundation’s Shine a Light music education fundraising series in Wilmington, Del., and participated in WXPN’s Musicians On Call and the inaugural Beggar’s Banquet benefit.

Still, any Kid Davis & the Bullets show is a highlight on its own. These are seasoned musicians who have honed their craft on hundreds of stages – from Philly to Nashville– and through long-term Thursday night Wilmington, Del. residencies since 2006 at clubs such as The Blue Parrot, Oddity Bar, Jackson Inn and Gallucio’s (since 2023). Twin guitarists–fast-picking composer and vocalist Michael Davis and the smooth and lyrical Pat Kane (also on pedal steel) –lead one of the top rhythm sections in the business: upright bassist Bobby Bloomingdale (Sin City Band) and drummer Paul Ramsey (formerly of Philadelphia folk-rock darlings Grey Eye Glances and progressive mainstays, Echolyn). Their collective chemistry provides that proverbial “greater than the sum of the parts” magic that elevates good bands to unforgettable ones. Add to this their dedication and cohesive sound that represents the American experience so well, every performance becomes a statement of intent. Whether playing to an audience of hundreds, or tens of thousands, the intensity and authenticity do not waiver.

Their latest release, Amsterdam (due late 2025), builds upon a deep catalog that includes six studio releases, two live albums, and appearances on several compilations. From early rockabilly-focused excursions on Long After Midnight and Like Cowboys Do to forays into Western swing, Tex-Mex, and crooner ballads on Let’s See Where this Goes, the band have sought to explore every corner of Americana.

Amsterdam continues that journey. With producion by James Everhart (Cosmic Guilt, Scantron), cameos by top guest musicians, and 10 brand new songs, the new album brings new moods and depth to The Bullets’ sound but remains true to the band’s origins. It also continues the tale of the nameless protagonist introduced in 2008’s “Wanted Man” (co-written with Nashville’s Ricky Barker)—now in the fifth chapter of his saga, via the album’s title track.

Nine more home-grown gems help one understand what this band and its vision are all about and, hopefully, inform listeners about their own path through an increasingly absurd world. Amsterdam is a highly entertaining escape from the ridiculous and another bold step for a band that refuses to stand still.

Inquiries